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Ca' Rezzonico
Palazzo and art museum in Venice, Italy.
The upper floors hold the palace's frescoed rooms and the eighteenth-century painting collection; that is where most of the two hours should go.
Morning · 2 hrPalaces, churches and lagoon light · April · moderate pace
This three-day route follows Venetian art from palace collections to church altarpieces, crossing the Grand Canal and the lagoon by vaporetto and on foot. At a moderate pace, a couple can take in the city's grand rooms in the morning and its quieter churches as the light softens. April brings mild weather and water that reflects everything.
A sample trip planned by Triptic.
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Palazzo and art museum in Venice, Italy.
The upper floors hold the palace's frescoed rooms and the eighteenth-century painting collection; that is where most of the two hours should go.
Morning · 2 hr%20Ca'%20Foscari.jpg?width=800)
Palace in Venice.
The grand courtyard and the view from the water-facing rooms tell the palace's story faster than any exhibit; the interior is often only partly open.
Morning · 1 hr 30 min.jpg?width=800)
Church in Venice.
Titian's Assumption above the high altar is the reason most visitors come; the choir and the side chapels repay a slow lap.
Afternoon · 45 min.jpg?width=800)
Art museum in Venice, Italy.
Arrive with energy to spare; the collection is the city's core survey of Venetian painting, from the Byzantine to the late eighteenth century.
Evening · 2 hrCa' Rezzonico and Ca' Foscari are a short walk apart on the Grand Canal; the Frari lies just across the water through San Polo, before the afternoon crowds arrive.
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Roman Catholic church in Venice, Italy.
Reach it by vaporetto to Giudecca; the church is usually quiet, and Palladio's facade shows its geometry best from the water.
Morning · 45 min
Church in Venice, Italy.
The spiral staircase in the sacristy and the Titian ceiling there are easy to miss in the shadow of the great dome.
Morning · 45 min%20-%20Facade.jpg?width=800)
Opera house in Venice, Italy.
The only way inside is a guided tour; check the schedule at the box office next to the entrance.
Afternoon · 1 hr.jpg?width=800)
Basilica on the Island of San Giorgio Maggiore in Venice.
Climb the campanile at the end of the visit, when the light on the lagoon and the San Marco skyline are at their best.
Evening · 45 minA vaporetto pass pays for itself today; the day moves between Giudecca, the tip of Dorsoduro and San Giorgio Maggiore.

Palace and art gallery in Venice, Italy.
The gothic facade draws the eye from the canal, but the courtyard and the painting collection inside are the quieter half of the visit.
Morning · 2 hr
One of four bridges spanning the Grand Canal in Venice, Italy.
Cross early, before the market crowds; the view down the Grand Canal from the centre of the arch is worth a pause.
Morning · 45 min
Church in Venice, Italy.
Shoulders and knees must be covered; arrive with the afternoon opening to meet the shortest queue of the day.
Afternoon · 45 min
Church in Venice, Italy.
The evening is quiet here; Verrocchio's equestrian monument outside and the altarpieces within reward a slow visit.
Evening · 45 minThe morning is the quiet window at the Rialto Bridge; St Mark's Basilica asks for covered shoulders and knees, so carry a light layer.
On foot within each neighbourhood, and by vaporetto across the Grand Canal and the lagoon. Day two in particular crosses to Giudecca and San Giorgio Maggiore, where the water bus earns its keep.
St Mark's Basilica requires covered shoulders and knees. Several churches on this route are active places of worship, so modest dress and a quiet manner are welcome everywhere.
Early afternoon on this trip, timed with the opening. The queue moves fastest then, and the mosaics catch the afternoon light.
Only with a guided tour. The box office at the theatre entrance lists the day's tour times, and the ornate foyer alone is worth a stop.
Tell Triptic your dates and who is going. It starts from this plan and fits it to you, with real flights and a place to stay.
Start from this trip